{"id":1016,"date":"2024-04-17T10:53:06","date_gmt":"2024-04-17T08:53:06","guid":{"rendered":"https:\/\/projects.unifr.ch\/aesthetics-critique\/?page_id=1016"},"modified":"2024-04-17T10:53:07","modified_gmt":"2024-04-17T08:53:07","slug":"alessandro-delco","status":"publish","type":"page","link":"https:\/\/projects.unifr.ch\/aesthetics-critique\/alessandro-delco\/","title":{"rendered":"Alessandro Delc\u00f2"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"294\" height=\"420\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/04\/Delco.png\" alt=\"\" class=\"wp-image-1017\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/04\/Delco.png 294w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/04\/Delco-210x300.png 210w\" sizes=\"(max-width: 294px) 100vw, 294px\" \/><\/figure>\n\n\n\n<p>Alessandro Delc\u00f2 is a senior research fellow at the Department of Philosophy, University of Paris VIII. After receiving a doctorate from Zurich University, he continued his research at the University of Turin, then at the Sorbonne. He is the author of several works on classical metaphysics, aesthetics, phenomenology (as well as some peculiar philosophical operations), including <em>Le metamorfosi della sostanza in Leibniz<\/em>, Angeli, Milan, 1994, <em>Morphologies. A partir du premier Serres<\/em>, Kim\u00e9, Paris, 1998, and <em>Merleau-Ponty et l\u2019exp\u00e9rience de la cr\u00e9ation. Du paradigme au sch\u00e8me<\/em>, PUF, Paris, 2005 (<em>Merleau-Ponty und die Erfahrung der Sch\u00f6pfung<\/em>, Passagen Verlag, Vienna, 2013). His current research focuses on the temporality of artworks, their process, their function, and somewhat also the destiny of art.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alessandro Delc\u00f2 is a senior research fellow at the Department of Philosophy, University of Paris VIII. After receiving a doctorate from Zurich University, he continued his research at the University of Turin, then at the Sorbonne. He is the author of several works on classical metaphysics, aesthetics, phenomenology (as well as some peculiar philosophical operations), &#8230; <a title=\"Alessandro Delc\u00f2\" class=\"read-more\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/alessandro-delco\/\">Read more<span class=\"screen-reader-text\">Alessandro Delc\u00f2<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/pages\/1016"}],"collection":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/comments?post=1016"}],"version-history":[{"count":1,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/pages\/1016\/revisions"}],"predecessor-version":[{"id":1018,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/pages\/1016\/revisions\/1018"}],"wp:attachment":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media?parent=1016"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}