{"id":2,"date":"2016-08-23T07:08:50","date_gmt":"2016-08-23T05:08:50","guid":{"rendered":"https:\/\/projects.unifr.ch\/aesthetics-critique\/?page_id=2"},"modified":"2021-04-29T11:57:22","modified_gmt":"2021-04-29T09:57:22","slug":"sample-page","status":"publish","type":"page","link":"https:\/\/projects.unifr.ch\/aesthetics-critique\/","title":{"rendered":""},"content":{"rendered":"\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns alignfull are-vertically-aligned-top is-layout-flex wp-container-6 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\"><ul class=\"wp-block-latest-posts__list is-grid columns-3 alignleft is-style-twentytwentyone-latest-posts-borders wp-block-latest-posts\"><li><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2026\/04\/10\/call-for-papers-aestheticscritique-ix-styles-of-appearing-aesthetics-and-phenomenology\/\">[Call for papers] Aesthetics&#038;Critique IX &#8211; Styles of Appearing. Aesthetics and Phenomenology<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2026\/02\/14\/seminar-cycle-techniques-of-the-senses-spring-semester-2026\/\" aria-label=\"[Seminar Cycle] Techniques of the senses (Spring Semester 2026)\"><img loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2026\/02\/Programm-4-724x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2026\/02\/Programm-4-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2026\/02\/Programm-4-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2026\/02\/Programm-4-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2026\/02\/Programm-4-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2026\/02\/Programm-4-1448x2048.png 1448w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2026\/02\/14\/seminar-cycle-techniques-of-the-senses-spring-semester-2026\/\">[Seminar Cycle] Techniques of the senses (Spring Semester 2026)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2025\/11\/30\/writing-atelier-winter-semester-2025\/\" aria-label=\"Writing Atelier &#8211; Winter Semester 2025\"><img loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/11\/Writing-Atelier_FS2025-2-724x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/11\/Writing-Atelier_FS2025-2-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/11\/Writing-Atelier_FS2025-2-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/11\/Writing-Atelier_FS2025-2-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/11\/Writing-Atelier_FS2025-2-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/11\/Writing-Atelier_FS2025-2.png 1414w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2025\/11\/30\/writing-atelier-winter-semester-2025\/\">Writing Atelier &#8211; Winter Semester 2025<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2025\/08\/15\/vrin-entretien-avec-emmanuel-alloa\/\" aria-label=\"VRIN &#8211; Entretien avec Emmanuel Alloa\"><img loading=\"lazy\" width=\"650\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/08\/9782711632213-650x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/08\/9782711632213-650x1024.jpg 650w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/08\/9782711632213-191x300.jpg 191w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/08\/9782711632213.jpg 762w\" sizes=\"(max-width: 650px) 100vw, 650px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2025\/08\/15\/vrin-entretien-avec-emmanuel-alloa\/\">VRIN &#8211; Entretien avec Emmanuel Alloa<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2025\/07\/09\/conference-sensing-ice-aesthetics-critique-viii\/\" aria-label=\"[Conference] Sensing Ice. Aesthetics &#038; Critique VIII\"><img loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/07\/Sensing-Ice-poster-new-724x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/07\/Sensing-Ice-poster-new-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/07\/Sensing-Ice-poster-new-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/07\/Sensing-Ice-poster-new-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/07\/Sensing-Ice-poster-new-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/07\/Sensing-Ice-poster-new-1448x2048.png 1448w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2025\/07\/09\/conference-sensing-ice-aesthetics-critique-viii\/\">[Conference] Sensing Ice. Aesthetics &#038; Critique VIII<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2025\/07\/09\/writing-atelier-spring-semester-2025\/\" aria-label=\"Writing Atelier &#8211; Spring Semester 2025\"><img loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/07\/Writing-Atelier_FS2025-2-724x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/07\/Writing-Atelier_FS2025-2-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/07\/Writing-Atelier_FS2025-2-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/07\/Writing-Atelier_FS2025-2-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/07\/Writing-Atelier_FS2025-2-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/07\/Writing-Atelier_FS2025-2.png 1414w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2025\/07\/09\/writing-atelier-spring-semester-2025\/\">Writing Atelier &#8211; Spring Semester 2025<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2025\/01\/28\/online-seminar-series-being-singular-historical-and-theoretical-perspectives-new-cycle\/\" aria-label=\"[Online Seminar Series] Being Singular &#8211; Historical and Theoretical Perspectives &#8211; New Cycle\"><img loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/01\/Being-Singular_2025_Def-724x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/01\/Being-Singular_2025_Def-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/01\/Being-Singular_2025_Def-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/01\/Being-Singular_2025_Def-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/01\/Being-Singular_2025_Def-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/01\/Being-Singular_2025_Def.png 1414w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2025\/01\/28\/online-seminar-series-being-singular-historical-and-theoretical-perspectives-new-cycle\/\">[Online Seminar Series] Being Singular &#8211; Historical and Theoretical Perspectives &#8211; New Cycle<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2024\/11\/29\/writing-atelier-winter-2024\/\" aria-label=\"Writing Atelier &#8211; Winter 2024\"><img loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/11\/Writing-Atelier_WS2024-724x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/11\/Writing-Atelier_WS2024-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/11\/Writing-Atelier_WS2024-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/11\/Writing-Atelier_WS2024-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/11\/Writing-Atelier_WS2024-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/11\/Writing-Atelier_WS2024.png 1414w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2024\/11\/29\/writing-atelier-winter-2024\/\">Writing Atelier &#8211; Winter 2024<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2024\/04\/22\/online-seminar-series-being-singular-historical-and-theoretical-perspectives\/\" aria-label=\"[Online Seminar Series] Being Singular: Historical and Theoretical Perspectives\"><img loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/04\/Being-Singular_Poster_Def-1-724x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/04\/Being-Singular_Poster_Def-1-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/04\/Being-Singular_Poster_Def-1-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/04\/Being-Singular_Poster_Def-1-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/04\/Being-Singular_Poster_Def-1-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/04\/Being-Singular_Poster_Def-1.png 1414w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2024\/04\/22\/online-seminar-series-being-singular-historical-and-theoretical-perspectives\/\">[Online Seminar Series] Being Singular: Historical and Theoretical Perspectives<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2024\/04\/05\/interview-pioniergeist-der-erste-asthetik-lehrstuhl-der-schweiz\/\" aria-label=\"[Interview] Pioniergeist: Der erste \u00c4sthetik-Lehrstuhl der Schweiz\"><img loading=\"lazy\" width=\"720\" height=\"320\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/04\/AG_Alloa-720x320-1.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/04\/AG_Alloa-720x320-1.jpg 720w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/04\/AG_Alloa-720x320-1-300x133.jpg 300w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2024\/04\/05\/interview-pioniergeist-der-erste-asthetik-lehrstuhl-der-schweiz\/\">[Interview] Pioniergeist: Der erste \u00c4sthetik-Lehrstuhl der Schweiz<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2024\/03\/14\/conference-medien-der-kunste-kunste-der-medien-xii-international-congress-of-the-german-society-of-aesthetics\/\" aria-label=\"(Conference) Medien der K\u00fcnste \/ K\u00fcnste der Medien &#8211; XII. International Congress of the German Society of Aesthetics\"><img loading=\"lazy\" width=\"729\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/03\/Kongress2024_Poster-729x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/03\/Kongress2024_Poster-729x1024.png 729w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/03\/Kongress2024_Poster-214x300.png 214w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/03\/Kongress2024_Poster-768x1078.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/03\/Kongress2024_Poster.png 916w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2024\/03\/14\/conference-medien-der-kunste-kunste-der-medien-xii-international-congress-of-the-german-society-of-aesthetics\/\">(Conference) Medien der K\u00fcnste \/ K\u00fcnste der Medien &#8211; XII. International Congress of the German Society of Aesthetics<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2024\/03\/14\/seminar-colloque-des-doctorant%e2%88%99e%e2%88%99s-forschungskolloquium-research-colloquium\/\" aria-label=\"(Seminar) Colloque des doctorant\u2219e\u2219s\/Forschungskolloquium\/Research Colloquium\"><img loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/03\/24SP-Doktorandenkolloquium_Programm-7-724x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/03\/24SP-Doktorandenkolloquium_Programm-7-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/03\/24SP-Doktorandenkolloquium_Programm-7-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/03\/24SP-Doktorandenkolloquium_Programm-7-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/03\/24SP-Doktorandenkolloquium_Programm-7-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2024\/03\/24SP-Doktorandenkolloquium_Programm-7.png 1414w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2024\/03\/14\/seminar-colloque-des-doctorant%e2%88%99e%e2%88%99s-forschungskolloquium-research-colloquium\/\">(Seminar) Colloque des doctorant\u2219e\u2219s\/Forschungskolloquium\/Research Colloquium<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/11\/24\/conference-aesthetics-critique-vii-beyond-reality-virtuality-and-experience-fribourg-14-16-12-2023\/\" aria-label=\"(Conference) Aesthetics &#038; Critique VII &#8211; Beyond Reality? Virtuality and Experience (Fribourg, 14-16.12.2023)\"><img loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/11\/Aesthetics-Critique-VII_Poster_2-5-724x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/11\/Aesthetics-Critique-VII_Poster_2-5-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/11\/Aesthetics-Critique-VII_Poster_2-5-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/11\/Aesthetics-Critique-VII_Poster_2-5-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/11\/Aesthetics-Critique-VII_Poster_2-5-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/11\/Aesthetics-Critique-VII_Poster_2-5.png 1414w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/11\/24\/conference-aesthetics-critique-vii-beyond-reality-virtuality-and-experience-fribourg-14-16-12-2023\/\">(Conference) Aesthetics &#038; Critique VII &#8211; Beyond Reality? Virtuality and Experience (Fribourg, 14-16.12.2023)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/09\/08\/talk-jason-day-psychedelic-theory-attention-experience\/\" aria-label=\"Talk: Jason Day, Psychedelic Theory: Attention &#038; Experience\"><img loading=\"lazy\" width=\"819\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/09\/20220110_194330-002-min-819x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/09\/20220110_194330-002-min-819x1024.jpg 819w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/09\/20220110_194330-002-min-240x300.jpg 240w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/09\/20220110_194330-002-min-768x960.jpg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/09\/20220110_194330-002-min-1229x1536.jpg 1229w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/09\/20220110_194330-002-min-1639x2048.jpg 1639w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/09\/20220110_194330-002-min-scaled.jpg 2048w\" sizes=\"(max-width: 819px) 100vw, 819px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/09\/08\/talk-jason-day-psychedelic-theory-attention-experience\/\">Talk: Jason Day, Psychedelic Theory: Attention &#038; Experience<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/09\/08\/article-lucie-mercier-the-translatability-of-experience-on-fanons-language-puzzle\/\" aria-label=\"(Article) Lucie Mercier, The Translatability of Experience: On Fanon&#8217;s Language Puzzle\"><img loading=\"lazy\" width=\"520\" height=\"743\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/09\/m_coverimage.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/09\/m_coverimage.png 520w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/09\/m_coverimage-210x300.png 210w\" sizes=\"(max-width: 520px) 100vw, 520px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/09\/08\/article-lucie-mercier-the-translatability-of-experience-on-fanons-language-puzzle\/\">(Article) Lucie Mercier, The Translatability of Experience: On Fanon&#8217;s Language Puzzle<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/05\/17\/publication-m-foucault-la-question-anthropologique-ed-arianna-sforzini\/\" aria-label=\"Publication: M. Foucault, La Question anthropologique (Ed. Arianna Sforzini)\"><img loading=\"lazy\" width=\"652\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/05\/145273_couverture_Hres_0-652x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/05\/145273_couverture_Hres_0-652x1024.jpg 652w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/05\/145273_couverture_Hres_0-191x300.jpg 191w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/05\/145273_couverture_Hres_0-768x1206.jpg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/05\/145273_couverture_Hres_0-978x1536.jpg 978w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/05\/145273_couverture_Hres_0.jpg 1274w\" sizes=\"(max-width: 652px) 100vw, 652px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/05\/17\/publication-m-foucault-la-question-anthropologique-ed-arianna-sforzini\/\">Publication: M. Foucault, La Question anthropologique (Ed. Arianna Sforzini)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/05\/17\/publication-handbuch-phanomenologie-hrsg-e-alloa-th-breyer-und-e-caminada\/\" aria-label=\"Publication: Handbuch Ph\u00e4nomenologie (Hrsg. E. Alloa, Th. Breyer und E. Caminada)\"><img loading=\"lazy\" width=\"358\" height=\"536\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/05\/10412_00_detail.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/05\/10412_00_detail.png 358w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/05\/10412_00_detail-200x300.png 200w\" sizes=\"(max-width: 358px) 100vw, 358px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/05\/17\/publication-handbuch-phanomenologie-hrsg-e-alloa-th-breyer-und-e-caminada\/\">Publication: Handbuch Ph\u00e4nomenologie (Hrsg. E. Alloa, Th. Breyer und E. Caminada)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/04\/28\/dgae-plattform2-transkulturelle-medienasthetik-transcultural-media-aesthetics\/\" aria-label=\"DGAE\u2013Plattform#2 &#8211; Transkulturelle Medien\u00e4sthetik \/\/ Transcultural Media Aesthetics\"><img loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/digital_72dpi_transkulturelle_Medienaesthetik-724x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/digital_72dpi_transkulturelle_Medienaesthetik-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/digital_72dpi_transkulturelle_Medienaesthetik-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/digital_72dpi_transkulturelle_Medienaesthetik-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/digital_72dpi_transkulturelle_Medienaesthetik-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/digital_72dpi_transkulturelle_Medienaesthetik-1448x2048.png 1448w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/digital_72dpi_transkulturelle_Medienaesthetik.png 1654w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/04\/28\/dgae-plattform2-transkulturelle-medienasthetik-transcultural-media-aesthetics\/\">DGAE\u2013Plattform#2 &#8211; Transkulturelle Medien\u00e4sthetik \/\/ Transcultural Media Aesthetics<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/04\/27\/aesthetics-critique-vi-realism-in-perspective-realisme-en-perspective-perspektiven-des-realismus-fribourg-26-27-05-2023\/\" aria-label=\"Aesthetics &#038; Critique VI : Realism in Perspective \/ R\u00e9alisme en perspective \/ Perspektiven des Realismus (Fribourg, 26-27.05.2023)\"><img loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/Aesthetics-Critique-VI_Poster-1-724x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/Aesthetics-Critique-VI_Poster-1-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/Aesthetics-Critique-VI_Poster-1-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/Aesthetics-Critique-VI_Poster-1-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/Aesthetics-Critique-VI_Poster-1-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/Aesthetics-Critique-VI_Poster-1.png 1414w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/04\/27\/aesthetics-critique-vi-realism-in-perspective-realisme-en-perspective-perspektiven-des-realismus-fribourg-26-27-05-2023\/\">Aesthetics &#038; Critique VI : Realism in Perspective \/ R\u00e9alisme en perspective \/ Perspektiven des Realismus (Fribourg, 26-27.05.2023)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/02\/17\/video-aesthetics-critique-v-after-nature\/\" aria-label=\"Video : Aesthetics &#038; Critique V &#8211; After Nature\"><img loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-724x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3.png 1414w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/02\/17\/video-aesthetics-critique-v-after-nature\/\">Video : Aesthetics &#038; Critique V &#8211; After Nature<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/09\/26\/after_nature\/\" aria-label=\"Seminar: Aesthetics &#038; Critique V &#8211; After Nature \/ (D&#8217;)apr\u00e8s Nature \/ Nach der Natur\"><img loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-724x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3.png 1414w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/09\/26\/after_nature\/\">Seminar: Aesthetics &#038; Critique V &#8211; After Nature \/ (D&#8217;)apr\u00e8s Nature \/ Nach der Natur<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/08\/04\/video-emmanuel-alloa-sharing-perspectives-points-of-view-in-art-and-philosophy-european-society-for-aesthetics-conference-2022\/\" aria-label=\"Video: Emmanuel Alloa, Sharing Perspectives. Points of View in Art and Philosophy (European Society for Aesthetics Conference 2022)\"><img loading=\"lazy\" width=\"1024\" height=\"427\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/08\/ESA-Tallinn-2022-1440x600-1-1024x427.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/08\/ESA-Tallinn-2022-1440x600-1-1024x427.png 1024w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/08\/ESA-Tallinn-2022-1440x600-1-300x125.png 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/08\/ESA-Tallinn-2022-1440x600-1-768x320.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/08\/ESA-Tallinn-2022-1440x600-1.png 1440w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/08\/04\/video-emmanuel-alloa-sharing-perspectives-points-of-view-in-art-and-philosophy-european-society-for-aesthetics-conference-2022\/\">Video: Emmanuel Alloa, Sharing Perspectives. Points of View in Art and Philosophy (European Society for Aesthetics Conference 2022)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/04\/12\/talk-andrew-benjamin-what-is-the-object-of-art\/\" aria-label=\"Talk : Andrew Benjamin &#8220;What is the Object of Art?&#8221; (17 May 2022)\"><img loading=\"lazy\" width=\"728\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/FS2022__Benjamin-Talk-728x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/FS2022__Benjamin-Talk-728x1024.jpg 728w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/FS2022__Benjamin-Talk-213x300.jpg 213w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/FS2022__Benjamin-Talk-768x1080.jpg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/FS2022__Benjamin-Talk-1093x1536.jpg 1093w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/FS2022__Benjamin-Talk-1457x2048.jpg 1457w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/FS2022__Benjamin-Talk-scaled.jpg 1821w\" sizes=\"(max-width: 728px) 100vw, 728px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/04\/12\/talk-andrew-benjamin-what-is-the-object-of-art\/\">Talk : Andrew Benjamin &#8220;What is the Object of Art?&#8221; (17 May 2022)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/04\/11\/pouvoirs_contagion\/\" aria-label=\"Conference: Pouvoirs de la contagion (Fribourg, 5-6 mai 2022)\"><img loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/Contagion_Affiche_A3_V1-2-1-724x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/Contagion_Affiche_A3_V1-2-1-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/Contagion_Affiche_A3_V1-2-1-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/Contagion_Affiche_A3_V1-2-1-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/Contagion_Affiche_A3_V1-2-1-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/Contagion_Affiche_A3_V1-2-1-1449x2048.png 1449w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/04\/11\/pouvoirs_contagion\/\">Conference: Pouvoirs de la contagion (Fribourg, 5-6 mai 2022)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/04\/06\/conference-the-marxist-aesthetics-of-georg-lukacs\/\" aria-label=\"Conference: The Marxist Aesthetics of Georg Luk\u00e1cs (22-23 April 2022)\"><img loading=\"lazy\" width=\"728\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/The-Marxist-Aesthetics-of-Georg-Lukacs-728x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/The-Marxist-Aesthetics-of-Georg-Lukacs-728x1024.png 728w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/The-Marxist-Aesthetics-of-Georg-Lukacs-213x300.png 213w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/The-Marxist-Aesthetics-of-Georg-Lukacs-768x1080.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/The-Marxist-Aesthetics-of-Georg-Lukacs-1092x1536.png 1092w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/The-Marxist-Aesthetics-of-Georg-Lukacs-1456x2048.png 1456w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/The-Marxist-Aesthetics-of-Georg-Lukacs.png 1717w\" sizes=\"(max-width: 728px) 100vw, 728px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/04\/06\/conference-the-marxist-aesthetics-of-georg-lukacs\/\">Conference: The Marxist Aesthetics of Georg Luk\u00e1cs (22-23 April 2022)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/03\/08\/publication-emmanuel-alloa-ed-this-obscure-thing-called-transparency-lup-2022\/\" aria-label=\"Publication: Emmanuel Alloa (Ed.), This Obscure Thing Called Transparency, LUP 2022.\"><img loading=\"lazy\" width=\"334\" height=\"500\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/9789462703254.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/9789462703254.jpg 334w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/9789462703254-200x300.jpg 200w\" sizes=\"(max-width: 334px) 100vw, 334px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/03\/08\/publication-emmanuel-alloa-ed-this-obscure-thing-called-transparency-lup-2022\/\">Publication: Emmanuel Alloa (Ed.), This Obscure Thing Called Transparency, LUP 2022.<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/03\/05\/event-performance-simon-senn-head-geneve-be-arielle-ou-prendre-le-corps-dune-autre\/\" aria-label=\"Talk-performance: Simon Senn (HEAD, G\u00e9neve). Be Arielle ou Prendre le corps d&#8217;un(e) autre.\"><img loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/FS2021_Senn-Talk_V1-297-\u00d7-420-mm-1-724x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/FS2021_Senn-Talk_V1-297-\u00d7-420-mm-1-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/FS2021_Senn-Talk_V1-297-\u00d7-420-mm-1-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/FS2021_Senn-Talk_V1-297-\u00d7-420-mm-1-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/FS2021_Senn-Talk_V1-297-\u00d7-420-mm-1-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/FS2021_Senn-Talk_V1-297-\u00d7-420-mm-1.png 1414w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/03\/05\/event-performance-simon-senn-head-geneve-be-arielle-ou-prendre-le-corps-dune-autre\/\">Talk-performance: Simon Senn (HEAD, G\u00e9neve). Be Arielle ou Prendre le corps d&#8217;un(e) autre.<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/03\/05\/seminar-problemes-de-lesthetique-contemporaine-probleme-der-gegenwartsasthetik-problems-in-contemporary-aesthetics\/\" aria-label=\"Seminar : Probl\u00e8mes de l&#8217;esth\u00e9tique contemporaine \/ Probleme der Gegenwarts\u00e4sthetik \/ Problems in Contemporary Aesthetics.\"><img loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/22FS-MA-Contemporary-problems_V1-297-\u00d7-420-mm-724x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/22FS-MA-Contemporary-problems_V1-297-\u00d7-420-mm-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/22FS-MA-Contemporary-problems_V1-297-\u00d7-420-mm-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/22FS-MA-Contemporary-problems_V1-297-\u00d7-420-mm-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/22FS-MA-Contemporary-problems_V1-297-\u00d7-420-mm-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/22FS-MA-Contemporary-problems_V1-297-\u00d7-420-mm.png 1414w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/03\/05\/seminar-problemes-de-lesthetique-contemporaine-probleme-der-gegenwartsasthetik-problems-in-contemporary-aesthetics\/\">Seminar : Probl\u00e8mes de l&#8217;esth\u00e9tique contemporaine \/ Probleme der Gegenwarts\u00e4sthetik \/ Problems in Contemporary Aesthetics.<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/03\/05\/seminar-das-tragische-antike-und-moderne-perspektiven\/\" aria-label=\"Seminar : Das Tragische. Antike und moderne Perspektiven.\"><img loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/22FS-BA-Das-Tragische-V3-297-\u00d7-420-mm-724x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/22FS-BA-Das-Tragische-V3-297-\u00d7-420-mm-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/22FS-BA-Das-Tragische-V3-297-\u00d7-420-mm-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/22FS-BA-Das-Tragische-V3-297-\u00d7-420-mm-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/22FS-BA-Das-Tragische-V3-297-\u00d7-420-mm-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/22FS-BA-Das-Tragische-V3-297-\u00d7-420-mm.png 1414w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/03\/05\/seminar-das-tragische-antike-und-moderne-perspektiven\/\">Seminar : Das Tragische. Antike und moderne Perspektiven.<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/03\/03\/seminaire-que-peut-un-corps-spring-2022\/\" aria-label=\"S\u00e9minaire : Que peut un corps ? (Spring 2022)\"><img loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/22FS-BA-Que-peut-un-corps-V1-297-\u00d7-420-mm-1-724x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/22FS-BA-Que-peut-un-corps-V1-297-\u00d7-420-mm-1-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/22FS-BA-Que-peut-un-corps-V1-297-\u00d7-420-mm-1-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/22FS-BA-Que-peut-un-corps-V1-297-\u00d7-420-mm-1-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/22FS-BA-Que-peut-un-corps-V1-297-\u00d7-420-mm-1-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/22FS-BA-Que-peut-un-corps-V1-297-\u00d7-420-mm-1.png 1414w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/03\/03\/seminaire-que-peut-un-corps-spring-2022\/\">S\u00e9minaire : Que peut un corps ? (Spring 2022)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/10\/11\/publication-hannah-arendt-il-ny-a-quun-seul-droit-de-lhomme\/\" aria-label=\"Publication: Hannah Arendt, Il n&#8217;y a qu&#8217;un seul droit de l&#8217;homme\"><img loading=\"lazy\" width=\"220\" height=\"340\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/10\/9782228929264.jpeg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/10\/9782228929264.jpeg 220w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/10\/9782228929264-194x300.jpeg 194w\" sizes=\"(max-width: 220px) 100vw, 220px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/10\/11\/publication-hannah-arendt-il-ny-a-quun-seul-droit-de-lhomme\/\">Publication: Hannah Arendt, Il n&#8217;y a qu&#8217;un seul droit de l&#8217;homme<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/10\/07\/workshop-aesthetics-critique-iv\/\" aria-label=\"Workshop: Aesthetics &#038; Critique IV (18th-19th November,  2021)\"><img loading=\"lazy\" width=\"989\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/10\/Aesthetics-Critique-IV-affiche-6-RED-ALERT-schedule-scaled-e1633593529520-989x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/10\/Aesthetics-Critique-IV-affiche-6-RED-ALERT-schedule-scaled-e1633593529520-989x1024.jpg 989w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/10\/Aesthetics-Critique-IV-affiche-6-RED-ALERT-schedule-scaled-e1633593529520-290x300.jpg 290w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/10\/Aesthetics-Critique-IV-affiche-6-RED-ALERT-schedule-scaled-e1633593529520-768x795.jpg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/10\/Aesthetics-Critique-IV-affiche-6-RED-ALERT-schedule-scaled-e1633593529520-1484x1536.jpg 1484w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/10\/Aesthetics-Critique-IV-affiche-6-RED-ALERT-schedule-scaled-e1633593529520.jpg 1824w\" sizes=\"(max-width: 989px) 100vw, 989px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/10\/07\/workshop-aesthetics-critique-iv\/\">Workshop: Aesthetics &#038; Critique IV (18th-19th November,  2021)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/07\/26\/now-available-recordings-of-the-3rd-workshop-in-aesthetics-critique\/\" aria-label=\"Now available: Recordings of the 3rd Workshop in Aesthetics &#038; Critique\"><img loading=\"lazy\" width=\"803\" height=\"740\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/Dagata-First-hours-1-e1619086644481.jpeg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/Dagata-First-hours-1-e1619086644481.jpeg 803w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/Dagata-First-hours-1-e1619086644481-300x276.jpeg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/Dagata-First-hours-1-e1619086644481-768x708.jpeg 768w\" sizes=\"(max-width: 803px) 100vw, 803px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/07\/26\/now-available-recordings-of-the-3rd-workshop-in-aesthetics-critique\/\">Now available: Recordings of the 3rd Workshop in Aesthetics &#038; Critique<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/07\/26\/publication-emmanuel-alloa-looking-through-images-trans-by-nils-f-schott\/\" aria-label=\"Publication: Emmanuel Alloa, Looking through images (trans. by Nils F. Schott)\"><img loading=\"lazy\" width=\"322\" height=\"322\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/07\/9780231187930-e1626120778337.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/07\/9780231187930-e1626120778337.jpg 322w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/07\/9780231187930-e1626120778337-300x300.jpg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/07\/9780231187930-e1626120778337-150x150.jpg 150w\" sizes=\"(max-width: 322px) 100vw, 322px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/07\/26\/publication-emmanuel-alloa-looking-through-images-trans-by-nils-f-schott\/\">Publication: Emmanuel Alloa, Looking through images (trans. by Nils F. Schott)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/07\/26\/alloa-emmanuel-partages-de-la-perspective-paris-fayard-2020\/\" aria-label=\"Publication: Emmanuel Alloa, Partages de la perspective\"><img loading=\"lazy\" width=\"599\" height=\"601\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/9782213716633-001-T-2-e1619087011203.jpeg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/9782213716633-001-T-2-e1619087011203.jpeg 599w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/9782213716633-001-T-2-e1619087011203-300x300.jpeg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/9782213716633-001-T-2-e1619087011203-150x150.jpeg 150w\" sizes=\"(max-width: 599px) 100vw, 599px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/07\/26\/alloa-emmanuel-partages-de-la-perspective-paris-fayard-2020\/\">Publication: Emmanuel Alloa, Partages de la perspective<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/07\/12\/conference-dgae-2021\/\" aria-label=\"Conference: DGAE 2021\"><img loading=\"lazy\" width=\"994\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/07\/logo_-994x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/07\/logo_-994x1024.jpg 994w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/07\/logo_-291x300.jpg 291w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/07\/logo_-768x791.jpg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/07\/logo_-1492x1536.jpg 1492w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/07\/logo_.jpg 1678w\" sizes=\"(max-width: 994px) 100vw, 994px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/07\/12\/conference-dgae-2021\/\">Conference: DGAE 2021<\/a><\/li>\n<li><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/04\/18\/talk-esthetique-de-lexistence\/\">Talk: Fr\u00e9d\u00e9ric Gros, Esth\u00e9tique de l\u2019existence (1st June, 2021)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/04\/05\/workshop-aesthetics-critique-iii-may-2021\/\" aria-label=\"Workshop: Aesthetics &#038; Critique III (27th-28th May, 2021)\"><img loading=\"lazy\" width=\"803\" height=\"740\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/Dagata-First-hours-1-e1619086644481.jpeg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/Dagata-First-hours-1-e1619086644481.jpeg 803w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/Dagata-First-hours-1-e1619086644481-300x276.jpeg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/Dagata-First-hours-1-e1619086644481-768x708.jpeg 768w\" sizes=\"(max-width: 803px) 100vw, 803px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/04\/05\/workshop-aesthetics-critique-iii-may-2021\/\">Workshop: Aesthetics &#038; Critique III (27th-28th May, 2021)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/03\/27\/de-la-societe-disciplinaire-a-la-societe-de-controle\/\" aria-label=\"Talk: Toni Negri &#038; Judith Revel, De la soci\u00e9t\u00e9 disciplinaire \u00e0 la soci\u00e9t\u00e9 de contr\u00f4le (27th April, 2021)\"><img loading=\"lazy\" width=\"1024\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-NegriRevel-scaled-e1619086879169-1024x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-NegriRevel-scaled-e1619086879169-1024x1024.jpg 1024w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-NegriRevel-scaled-e1619086879169-300x300.jpg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-NegriRevel-scaled-e1619086879169-150x150.jpg 150w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-NegriRevel-scaled-e1619086879169-768x768.jpg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-NegriRevel-scaled-e1619086879169.jpg 1440w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/03\/27\/de-la-societe-disciplinaire-a-la-societe-de-controle\/\">Talk: Toni Negri &#038; Judith Revel, De la soci\u00e9t\u00e9 disciplinaire \u00e0 la soci\u00e9t\u00e9 de contr\u00f4le (27th April, 2021)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/03\/18\/radio-feature-vom-neuern-der-alten-musik\/\" aria-label=\"Radio-Feature: Christoph Haffter, Vom Neuern der alten Musik\"><img loading=\"lazy\" width=\"1021\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/05\/Vom-Neuern-der-alten-Musik-e1621341007581-1021x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/05\/Vom-Neuern-der-alten-Musik-e1621341007581-1021x1024.jpg 1021w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/05\/Vom-Neuern-der-alten-Musik-e1621341007581-300x300.jpg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/05\/Vom-Neuern-der-alten-Musik-e1621341007581-150x150.jpg 150w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/05\/Vom-Neuern-der-alten-Musik-e1621341007581-768x770.jpg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/05\/Vom-Neuern-der-alten-Musik-e1621341007581.jpg 1201w\" sizes=\"(max-width: 1021px) 100vw, 1021px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/03\/18\/radio-feature-vom-neuern-der-alten-musik\/\">Radio-Feature: Christoph Haffter, Vom Neuern der alten Musik<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/02\/18\/centre-pompidou-festival-hors-pistes-2021-la-lecon-des-images-demmanuel-alloa\/\" aria-label=\"Video: La le\u00e7on des images d&#8217;Emmanuel Alloa. Festival Hors Pistes 2021, Centre Pompidou.\"><img loading=\"lazy\" width=\"657\" height=\"614\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/csm_Fossilation_EnsadLab-Concordia_21-01-2020_9J1A4152_2a313b1250-e1619086956894.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/csm_Fossilation_EnsadLab-Concordia_21-01-2020_9J1A4152_2a313b1250-e1619086956894.jpg 657w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/csm_Fossilation_EnsadLab-Concordia_21-01-2020_9J1A4152_2a313b1250-e1619086956894-300x280.jpg 300w\" sizes=\"(max-width: 657px) 100vw, 657px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/02\/18\/centre-pompidou-festival-hors-pistes-2021-la-lecon-des-images-demmanuel-alloa\/\">Video: La le\u00e7on des images d&#8217;Emmanuel Alloa. Festival Hors Pistes 2021, Centre Pompidou.<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/02\/18\/alloa-cappelletto-eds-dynamis-of-the-image-moving-images-in-a-global-world-berlin-new-york-de-gruyter-2020\/\" aria-label=\"Publication: Emmanuel Alloa &#038; Chiara Cappelletto (eds.), Dynamis of the Image. Moving Images in a Global World\"><img loading=\"lazy\" width=\"1020\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Dynamis-of-the-Image_Cover_Alloa-Cappelletto_11-2-scaled-e1619087072976-1020x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Dynamis-of-the-Image_Cover_Alloa-Cappelletto_11-2-scaled-e1619087072976-1020x1024.jpg 1020w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Dynamis-of-the-Image_Cover_Alloa-Cappelletto_11-2-scaled-e1619087072976-300x300.jpg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Dynamis-of-the-Image_Cover_Alloa-Cappelletto_11-2-scaled-e1619087072976-150x150.jpg 150w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Dynamis-of-the-Image_Cover_Alloa-Cappelletto_11-2-scaled-e1619087072976-768x771.jpg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Dynamis-of-the-Image_Cover_Alloa-Cappelletto_11-2-scaled-e1619087072976-1530x1536.jpg 1530w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Dynamis-of-the-Image_Cover_Alloa-Cappelletto_11-2-scaled-e1619087072976.jpg 1817w\" sizes=\"(max-width: 1020px) 100vw, 1020px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/02\/18\/alloa-cappelletto-eds-dynamis-of-the-image-moving-images-in-a-global-world-berlin-new-york-de-gruyter-2020\/\">Publication: Emmanuel Alloa &#038; Chiara Cappelletto (eds.), Dynamis of the Image. Moving Images in a Global World<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/01\/28\/talk-by-christoph-poetsch\/\" aria-label=\"Talk: Christoph Poetsch, K\u00f6rper \u2013 Bild \u2013 Seele (16th March, 2021)\"><img loading=\"lazy\" width=\"1024\" height=\"1021\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-Poetsch_besser-e1619690609790-1024x1021.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-Poetsch_besser-e1619690609790-1024x1021.jpg 1024w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-Poetsch_besser-e1619690609790-300x300.jpg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-Poetsch_besser-e1619690609790-150x150.jpg 150w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-Poetsch_besser-e1619690609790-768x766.jpg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-Poetsch_besser-e1619690609790.jpg 1281w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/01\/28\/talk-by-christoph-poetsch\/\">Talk: Christoph Poetsch, K\u00f6rper \u2013 Bild \u2013 Seele (16th March, 2021)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/01\/18\/proseminar-die-notwendigkeit-des-scheins\/\" aria-label=\"Seminar: Die Notwendigkeit des Scheins (Spring 2021)\"><img loading=\"lazy\" width=\"501\" height=\"499\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/01\/A-sudden-gust-Wall-klein.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/01\/A-sudden-gust-Wall-klein.png 501w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/01\/A-sudden-gust-Wall-klein-300x300.png 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/01\/A-sudden-gust-Wall-klein-150x150.png 150w\" sizes=\"(max-width: 501px) 100vw, 501px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/01\/18\/proseminar-die-notwendigkeit-des-scheins\/\">Seminar: Die Notwendigkeit des Scheins (Spring 2021)<\/a><\/li>\n<li><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/01\/18\/talk-christian-gruny-schopenhauers-flote-und-adornos-partituren\/\">Talk: Christian Gr\u00fcny, Schopenhauers Fl\u00f6te und Adornos Partituren (4th November, 2021)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/01\/18\/seminar\/\" aria-label=\"Seminar: Nietzsche et Foucault. Histoire, savoirs, Pouvoir (Spring 2021)\"><img loading=\"lazy\" width=\"905\" height=\"909\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/7342e37cbf6d2aa3861c059332fae2d1-scaled-e1619691265750.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/01\/18\/seminar\/\">Seminar: Nietzsche et Foucault. Histoire, savoirs, Pouvoir (Spring 2021)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/01\/05\/lecture-le-reve-de-la-transparence-une-histoire-de-la-modernite\/\" aria-label=\"Lecture: Le r\u00eave de la transparence (Spring 2021)\"><img loading=\"lazy\" width=\"1024\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/21FS-Cours-Le-reve-de-transparence_2-scaled-e1619690487628-1024x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/21FS-Cours-Le-reve-de-transparence_2-scaled-e1619690487628-1024x1024.jpg 1024w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/21FS-Cours-Le-reve-de-transparence_2-scaled-e1619690487628-300x300.jpg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/21FS-Cours-Le-reve-de-transparence_2-scaled-e1619690487628-150x150.jpg 150w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/21FS-Cours-Le-reve-de-transparence_2-scaled-e1619690487628-768x768.jpg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/21FS-Cours-Le-reve-de-transparence_2-scaled-e1619690487628-1536x1536.jpg 1536w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/21FS-Cours-Le-reve-de-transparence_2-scaled-e1619690487628.jpg 1657w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/01\/05\/lecture-le-reve-de-la-transparence-une-histoire-de-la-modernite\/\">Lecture: Le r\u00eave de la transparence (Spring 2021)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/01\/05\/seminar-philosophie-der-bilder\/\" aria-label=\"Seminar: Philosophie der Bilder (Spring 2021)\"><img loading=\"lazy\" width=\"1024\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/21FS-BA-Philosophie-der-Bilderklein-e1619691336949-1024x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/21FS-BA-Philosophie-der-Bilderklein-e1619691336949-1024x1024.png 1024w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/21FS-BA-Philosophie-der-Bilderklein-e1619691336949-300x300.png 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/21FS-BA-Philosophie-der-Bilderklein-e1619691336949-150x150.png 150w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/21FS-BA-Philosophie-der-Bilderklein-e1619691336949-768x768.png 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/01\/05\/seminar-philosophie-der-bilder\/\">Seminar: Philosophie der Bilder (Spring 2021)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/01\/05\/publication-christoph-haffter-szenen-der-selbstenttauschung\/\" aria-label=\"Publication: Christoph Haffter, Szenen der Selbstentt\u00e4uschung\"><img loading=\"lazy\" width=\"428\" height=\"425\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/9783826071805xxl-2-e1619086766377.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/9783826071805xxl-2-e1619086766377.jpg 428w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/9783826071805xxl-2-e1619086766377-300x298.jpg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/9783826071805xxl-2-e1619086766377-150x150.jpg 150w\" sizes=\"(max-width: 428px) 100vw, 428px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/01\/05\/publication-christoph-haffter-szenen-der-selbstenttauschung\/\">Publication: Christoph Haffter, Szenen der Selbstentt\u00e4uschung<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2020\/06\/08\/workshop-modes-of-attention-july-27-29-2020\/\" aria-label=\"Workshop: Modes of Attention (July 27-29, 2020)\"><img loading=\"lazy\" width=\"624\" height=\"568\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/06\/891_Gursky-Chicago-Board-of-Trade-1.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/06\/891_Gursky-Chicago-Board-of-Trade-1.jpg 624w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/06\/891_Gursky-Chicago-Board-of-Trade-1-300x273.jpg 300w\" sizes=\"(max-width: 624px) 100vw, 624px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2020\/06\/08\/workshop-modes-of-attention-july-27-29-2020\/\">Workshop: Modes of Attention (July 27-29, 2020)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2020\/06\/05\/seminar-de-husserl-a-derrida-phenomenologie-et-deconstruction-autumn-20\/\" aria-label=\"Seminar: De Husserl \u00e0 Derrida. Ph\u00e9nom\u00e9nologie et d\u00e9construction (Autumn 2020)\"><img loading=\"lazy\" width=\"1024\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/file6znwkqa9so0ru2k9ma-e1619691460653-1024x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/file6znwkqa9so0ru2k9ma-e1619691460653-1024x1024.jpg 1024w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/file6znwkqa9so0ru2k9ma-e1619691460653-300x300.jpg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/file6znwkqa9so0ru2k9ma-e1619691460653-150x150.jpg 150w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/file6znwkqa9so0ru2k9ma-e1619691460653-768x768.jpg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/file6znwkqa9so0ru2k9ma-e1619691460653.jpg 1128w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2020\/06\/05\/seminar-de-husserl-a-derrida-phenomenologie-et-deconstruction-autumn-20\/\">Seminar: De Husserl \u00e0 Derrida. Ph\u00e9nom\u00e9nologie et d\u00e9construction (Autumn 2020)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2020\/04\/05\/seminar-le-son-affranchi-autumn-2020\/\" aria-label=\"Seminar: Le son affranchi (Autumn 2020)\"><img loading=\"lazy\" width=\"376\" height=\"376\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/marclay-2-e1619691522629.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/marclay-2-e1619691522629.jpg 376w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/marclay-2-e1619691522629-300x300.jpg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/marclay-2-e1619691522629-150x150.jpg 150w\" sizes=\"(max-width: 376px) 100vw, 376px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2020\/04\/05\/seminar-le-son-affranchi-autumn-2020\/\">Seminar: Le son affranchi (Autumn 2020)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2020\/04\/05\/lecture-kunst-philosophie-momente-einer-modernen-auseinandersetzung\/\" aria-label=\"Lecture: Kunst\/Philosophie. Momente einer modernen Auseinandersetzung (Autumn 2020)\"><img loading=\"lazy\" width=\"1024\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/nauman-neu-e1619691587580-1024x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/nauman-neu-e1619691587580-1024x1024.jpg 1024w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/nauman-neu-e1619691587580-300x300.jpg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/nauman-neu-e1619691587580-150x150.jpg 150w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/nauman-neu-e1619691587580-768x768.jpg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/nauman-neu-e1619691587580.jpg 1368w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2020\/04\/05\/lecture-kunst-philosophie-momente-einer-modernen-auseinandersetzung\/\">Lecture: Kunst\/Philosophie. Momente einer modernen Auseinandersetzung (Autumn 2020)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2020\/04\/05\/seminar-aufmerksamkeit-wahrnehmung-anerkennung-achtsamkeit-autumn-2020\/\" aria-label=\"Seminar: Aufmerksamkeit. Wahrnehmung \u2013 Anerkennung \u2013 Achtsamkeit (Autumn 2020)\"><img loading=\"lazy\" width=\"873\" height=\"873\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2020\/04\/La_Tour_Le_Tricheur_Louvre_RF1972-8-e1619691638262.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2020\/04\/La_Tour_Le_Tricheur_Louvre_RF1972-8-e1619691638262.jpg 873w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2020\/04\/La_Tour_Le_Tricheur_Louvre_RF1972-8-e1619691638262-300x300.jpg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2020\/04\/La_Tour_Le_Tricheur_Louvre_RF1972-8-e1619691638262-150x150.jpg 150w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2020\/04\/La_Tour_Le_Tricheur_Louvre_RF1972-8-e1619691638262-768x768.jpg 768w\" sizes=\"(max-width: 873px) 100vw, 873px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2020\/04\/05\/seminar-aufmerksamkeit-wahrnehmung-anerkennung-achtsamkeit-autumn-2020\/\">Seminar: Aufmerksamkeit. Wahrnehmung \u2013 Anerkennung \u2013 Achtsamkeit (Autumn 2020)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2020\/02\/18\/aestheticscritique-iii-2021\/\" aria-label=\"Workshop Aesthetics &#038; Critique II (27th-28th November, 2020)\"><img loading=\"lazy\" width=\"556\" height=\"527\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Workshop-ii-klein.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Workshop-ii-klein.jpg 556w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Workshop-ii-klein-300x284.jpg 300w\" sizes=\"(max-width: 556px) 100vw, 556px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2020\/02\/18\/aestheticscritique-iii-2021\/\">Workshop Aesthetics &#038; Critique II (27th-28th November, 2020)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image aligncenter\"><a href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2019\/05\/21\/workshop-aesthetics-critique-i-29th-30th-november-2019\/\" aria-label=\"Workshop Aesthetics &#038; Critique I (29th-30th November, 2019)\"><img loading=\"lazy\" width=\"1024\" height=\"950\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/05\/19HSAtelier-EsthetiqueCritique_Poster_forprint-1024x950.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/05\/19HSAtelier-EsthetiqueCritique_Poster_forprint-1024x950.jpg 1024w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/05\/19HSAtelier-EsthetiqueCritique_Poster_forprint-300x278.jpg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/05\/19HSAtelier-EsthetiqueCritique_Poster_forprint-768x712.jpg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/05\/19HSAtelier-EsthetiqueCritique_Poster_forprint-1536x1425.jpg 1536w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/05\/19HSAtelier-EsthetiqueCritique_Poster_forprint-2048x1900.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2019\/05\/21\/workshop-aesthetics-critique-i-29th-30th-november-2019\/\">Workshop Aesthetics &#038; Critique I (29th-30th November, 2019)<\/a><\/li>\n<\/ul><\/div>\n<\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/pages\/2"}],"collection":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":27,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":513,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/pages\/2\/revisions\/513"}],"wp:attachment":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}