{"id":27,"date":"2021-02-06T17:44:20","date_gmt":"2021-02-06T16:44:20","guid":{"rendered":"https:\/\/projects.unifr.ch\/aesthetics-critique\/?page_id=27"},"modified":"2021-04-05T18:03:18","modified_gmt":"2021-04-05T16:03:18","slug":"events","status":"publish","type":"page","link":"https:\/\/projects.unifr.ch\/aesthetics-critique\/events\/","title":{"rendered":"Events"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"> <\/h2>\n\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns alignwide are-vertically-aligned-top is-layout-flex wp-container-2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\"><ul class=\"wp-block-latest-posts__list is-grid columns-3 alignwide wp-block-latest-posts\"><li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" width=\"212\" height=\"300\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/11\/Aesthetics-Critique-VII_Poster_2-5-212x300.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/11\/Aesthetics-Critique-VII_Poster_2-5-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/11\/Aesthetics-Critique-VII_Poster_2-5-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/11\/Aesthetics-Critique-VII_Poster_2-5-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/11\/Aesthetics-Critique-VII_Poster_2-5-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/11\/Aesthetics-Critique-VII_Poster_2-5.png 1414w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/11\/24\/conference-aesthetics-critique-vii-beyond-reality-virtuality-and-experience-fribourg-14-16-12-2023\/\">(Conference) Aesthetics &#038; Critique VII &#8211; Beyond Reality? Virtuality and Experience (Fribourg, 14-16.12.2023)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" width=\"212\" height=\"300\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/digital_72dpi_transkulturelle_Medienaesthetik-212x300.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/digital_72dpi_transkulturelle_Medienaesthetik-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/digital_72dpi_transkulturelle_Medienaesthetik-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/digital_72dpi_transkulturelle_Medienaesthetik-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/digital_72dpi_transkulturelle_Medienaesthetik-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/digital_72dpi_transkulturelle_Medienaesthetik-1448x2048.png 1448w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/digital_72dpi_transkulturelle_Medienaesthetik.png 1654w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/04\/28\/dgae-plattform2-transkulturelle-medienasthetik-transcultural-media-aesthetics\/\">DGAE\u2013Plattform#2 &#8211; Transkulturelle Medien\u00e4sthetik \/\/ Transcultural Media Aesthetics<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" width=\"212\" height=\"300\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/Aesthetics-Critique-VI_Poster-1-212x300.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/Aesthetics-Critique-VI_Poster-1-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/Aesthetics-Critique-VI_Poster-1-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/Aesthetics-Critique-VI_Poster-1-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/Aesthetics-Critique-VI_Poster-1-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/04\/Aesthetics-Critique-VI_Poster-1.png 1414w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/04\/27\/aesthetics-critique-vi-realism-in-perspective-realisme-en-perspective-perspektiven-des-realismus-fribourg-26-27-05-2023\/\">Aesthetics &#038; Critique VI : Realism in Perspective \/ R\u00e9alisme en perspective \/ Perspektiven des Realismus (Fribourg, 26-27.05.2023)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" width=\"212\" height=\"300\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-212x300.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3.png 1414w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/02\/17\/video-aesthetics-critique-v-after-nature\/\">Video : Aesthetics &#038; Critique V &#8211; After Nature<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" width=\"212\" height=\"300\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-212x300.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/11\/After-Nature_Programme-3.png 1414w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/09\/26\/after_nature\/\">Seminar: Aesthetics &#038; Critique V &#8211; After Nature \/ (D&#8217;)apr\u00e8s Nature \/ Nach der Natur<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" width=\"212\" height=\"300\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/Contagion_Affiche_A3_V1-2-1-212x300.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/Contagion_Affiche_A3_V1-2-1-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/Contagion_Affiche_A3_V1-2-1-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/Contagion_Affiche_A3_V1-2-1-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/Contagion_Affiche_A3_V1-2-1-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/04\/Contagion_Affiche_A3_V1-2-1-1449x2048.png 1449w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/04\/11\/pouvoirs_contagion\/\">Conference: Pouvoirs de la contagion (Fribourg, 5-6 mai 2022)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" width=\"212\" height=\"300\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/FS2021_Senn-Talk_V1-297-\u00d7-420-mm-1-212x300.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/FS2021_Senn-Talk_V1-297-\u00d7-420-mm-1-212x300.png 212w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/FS2021_Senn-Talk_V1-297-\u00d7-420-mm-1-724x1024.png 724w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/FS2021_Senn-Talk_V1-297-\u00d7-420-mm-1-768x1086.png 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/FS2021_Senn-Talk_V1-297-\u00d7-420-mm-1-1086x1536.png 1086w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2022\/03\/FS2021_Senn-Talk_V1-297-\u00d7-420-mm-1.png 1414w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/03\/05\/event-performance-simon-senn-head-geneve-be-arielle-ou-prendre-le-corps-dune-autre\/\">Talk-performance: Simon Senn (HEAD, G\u00e9neve). Be Arielle ou Prendre le corps d&#8217;un(e) autre.<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" width=\"300\" height=\"276\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/Dagata-First-hours-1-e1619086644481-300x276.jpeg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/Dagata-First-hours-1-e1619086644481-300x276.jpeg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/Dagata-First-hours-1-e1619086644481-768x708.jpeg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/Dagata-First-hours-1-e1619086644481.jpeg 803w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/07\/26\/now-available-recordings-of-the-3rd-workshop-in-aesthetics-critique\/\">Now available: Recordings of the 3rd Workshop in Aesthetics &#038; Critique<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" width=\"291\" height=\"300\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/07\/logo_-291x300.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/07\/logo_-291x300.jpg 291w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/07\/logo_-994x1024.jpg 994w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/07\/logo_-768x791.jpg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/07\/logo_-1492x1536.jpg 1492w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/07\/logo_.jpg 1678w\" sizes=\"(max-width: 291px) 100vw, 291px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/07\/12\/conference-dgae-2021\/\">Conference: DGAE 2021<\/a><\/li>\n<li><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/04\/18\/talk-esthetique-de-lexistence\/\">Talk: Fr\u00e9d\u00e9ric Gros, Esth\u00e9tique de l\u2019existence (1st June, 2021)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" width=\"300\" height=\"276\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/Dagata-First-hours-1-e1619086644481-300x276.jpeg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/Dagata-First-hours-1-e1619086644481-300x276.jpeg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/Dagata-First-hours-1-e1619086644481-768x708.jpeg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/04\/Dagata-First-hours-1-e1619086644481.jpeg 803w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/04\/05\/workshop-aesthetics-critique-iii-may-2021\/\">Workshop: Aesthetics &#038; Critique III (27th-28th May, 2021)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" width=\"300\" height=\"300\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-NegriRevel-scaled-e1619086879169-300x300.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-NegriRevel-scaled-e1619086879169-300x300.jpg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-NegriRevel-scaled-e1619086879169-1024x1024.jpg 1024w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-NegriRevel-scaled-e1619086879169-150x150.jpg 150w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-NegriRevel-scaled-e1619086879169-768x768.jpg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-NegriRevel-scaled-e1619086879169.jpg 1440w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/03\/27\/de-la-societe-disciplinaire-a-la-societe-de-controle\/\">Talk: Toni Negri &#038; Judith Revel, De la soci\u00e9t\u00e9 disciplinaire \u00e0 la soci\u00e9t\u00e9 de contr\u00f4le (27th April, 2021)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" width=\"300\" height=\"280\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/csm_Fossilation_EnsadLab-Concordia_21-01-2020_9J1A4152_2a313b1250-e1619086956894-300x280.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/csm_Fossilation_EnsadLab-Concordia_21-01-2020_9J1A4152_2a313b1250-e1619086956894-300x280.jpg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/csm_Fossilation_EnsadLab-Concordia_21-01-2020_9J1A4152_2a313b1250-e1619086956894.jpg 657w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/02\/18\/centre-pompidou-festival-hors-pistes-2021-la-lecon-des-images-demmanuel-alloa\/\">Video: La le\u00e7on des images d&#8217;Emmanuel Alloa. Festival Hors Pistes 2021, Centre Pompidou.<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" width=\"300\" height=\"300\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-Poetsch_besser-e1619690609790-300x300.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-Poetsch_besser-e1619690609790-300x300.jpg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-Poetsch_besser-e1619690609790-1024x1021.jpg 1024w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-Poetsch_besser-e1619690609790-150x150.jpg 150w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-Poetsch_besser-e1619690609790-768x766.jpg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/21FS-Poetsch_besser-e1619690609790.jpg 1281w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/01\/28\/talk-by-christoph-poetsch\/\">Talk: Christoph Poetsch, K\u00f6rper \u2013 Bild \u2013 Seele (16th March, 2021)<\/a><\/li>\n<li><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/01\/18\/talk-christian-gruny-schopenhauers-flote-und-adornos-partituren\/\">Talk: Christian Gr\u00fcny, Schopenhauers Fl\u00f6te und Adornos Partituren (4th November, 2021)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" width=\"300\" height=\"284\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Workshop-ii-klein-300x284.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Workshop-ii-klein-300x284.jpg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Workshop-ii-klein.jpg 556w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2020\/02\/18\/aestheticscritique-iii-2021\/\">Workshop Aesthetics &#038; Critique II (27th-28th November, 2020)<\/a><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" width=\"300\" height=\"278\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/05\/19HSAtelier-EsthetiqueCritique_Poster_forprint-300x278.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" decoding=\"async\" style=\"\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/05\/19HSAtelier-EsthetiqueCritique_Poster_forprint-300x278.jpg 300w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/05\/19HSAtelier-EsthetiqueCritique_Poster_forprint-1024x950.jpg 1024w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/05\/19HSAtelier-EsthetiqueCritique_Poster_forprint-768x712.jpg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/05\/19HSAtelier-EsthetiqueCritique_Poster_forprint-1536x1425.jpg 1536w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/05\/19HSAtelier-EsthetiqueCritique_Poster_forprint-2048x1900.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2019\/05\/21\/workshop-aesthetics-critique-i-29th-30th-november-2019\/\">Workshop Aesthetics &#038; Critique I (29th-30th November, 2019)<\/a><\/li>\n<\/ul><\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/pages\/27"}],"collection":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/comments?post=27"}],"version-history":[{"count":21,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/pages\/27\/revisions"}],"predecessor-version":[{"id":420,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/pages\/27\/revisions\/420"}],"wp:attachment":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media?parent=27"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}