{"id":959,"date":"2023-09-08T14:39:44","date_gmt":"2023-09-08T12:39:44","guid":{"rendered":"https:\/\/projects.unifr.ch\/aesthetics-critique\/?page_id=959"},"modified":"2023-09-08T14:40:16","modified_gmt":"2023-09-08T12:40:16","slug":"lilian-kroth","status":"publish","type":"page","link":"https:\/\/projects.unifr.ch\/aesthetics-critique\/team\/lilian-kroth\/","title":{"rendered":"Lilian Kroth"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"768\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/09\/lilian-768x1024.jpeg\" alt=\"\" class=\"wp-image-960\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/09\/lilian-768x1024.jpeg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/09\/lilian-225x300.jpeg 225w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2023\/09\/lilian.jpeg 960w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<p>Lilian Kroth has recently started a post-Doc project at the University of Fribourg. Her PhD project at the University of Cambridge engaged with Michel Serres\u2019s philosophy of limits and its passages between philosophy of science, art, and critical theory. Since 2021, she has been associated to the research groups \u201cCritical thinking in the plural\u201d and \u201cEnergy and climate\u201d at the Centre Marc Bloch. She is one of the organizers of the CRASSH research network \u201cRemote Sensing. Ice, Instruments, Imagination\u201d in Cambridge. Prior to that, she has studied Philosophy at the University of Vienna (BA, MA) and Fine Arts at the Academy of Fine Arts Vienna. Her research is interested in philosophy of nature and law, the history and philosophy of science, critical theory, art, and aesthetics. Recent publications include \u201c<a rel=\"noreferrer noopener\" href=\"https:\/\/journals-sagepub-com.ezp.lib.cam.ac.uk\/doi\/10.1177\/02632764231187593\" target=\"_blank\">Entropy and Entropic Differences in the Work of Michel Serres\u201d<\/a>&nbsp;(Theory, Culture &amp; Society, 2023),&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/spectorbooks.com\/book\/broken-relations-infrastructure-aesthetics-and-critique\" target=\"_blank\">\u201cInfrastructure, Translation, and Metaphor\u201d<\/a>(Chapter in&nbsp;<em>Broken Relations: Infrastructure, Aesthetics, and Critique<\/em>, 2022), and&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.degruyter.com\/document\/doi\/10.1515\/9783110688436-010\/html\" target=\"_blank\">\u201cThe Topology of Difference. Deleuze\u2019s Nietzsche in his Politics of Folded Spaces and Subjects\u201d<\/a>&nbsp;(Chapter in&nbsp;<em>Nietzshce and the Politics of Difference,&nbsp;<\/em>2022).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lilian Kroth has recently started a post-Doc project at the University of Fribourg. Her PhD project at the University of Cambridge engaged with Michel Serres\u2019s philosophy of limits and its passages between philosophy of science, art, and critical theory. Since 2021, she has been associated to the research groups \u201cCritical thinking in the plural\u201d and &#8230; <a title=\"Lilian Kroth\" class=\"read-more\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/team\/lilian-kroth\/\">Read more<span class=\"screen-reader-text\">Lilian Kroth<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"parent":26,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/pages\/959"}],"collection":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/comments?post=959"}],"version-history":[{"count":2,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/pages\/959\/revisions"}],"predecessor-version":[{"id":962,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/pages\/959\/revisions\/962"}],"up":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/pages\/26"}],"wp:attachment":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media?parent=959"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}