{"id":1075,"date":"2025-08-15T20:51:08","date_gmt":"2025-08-15T18:51:08","guid":{"rendered":"https:\/\/projects.unifr.ch\/aesthetics-critique\/?p=1075"},"modified":"2025-08-15T20:51:37","modified_gmt":"2025-08-15T18:51:37","slug":"vrin-entretien-avec-emmanuel-alloa","status":"publish","type":"post","link":"https:\/\/projects.unifr.ch\/aesthetics-critique\/2025\/08\/15\/vrin-entretien-avec-emmanuel-alloa\/","title":{"rendered":"VRIN &#8211; Entretien avec Emmanuel Alloa"},"content":{"rendered":"\n<p>\u00c0 propos de :&nbsp;Emmanuel Alloa,&nbsp;<a href=\"https:\/\/www.vrin.fr\/livre\/9782711632213\/la-resistance-du-sensible\"><em>La r\u00e9sistance du sensible. Merleau-Ponty, critique de la transparence<\/em><\/a>, Vrin, \u00ab Biblioth\u00e8que d&#8217;Histoire de la Philosophie \u2013 Poche \u00bb, mai 2025<\/p>\n\n\n\n<p><a href=\"https:\/\/www.vrin.fr\/actualite\/entretien-avec-emmanuel-alloa-141\" data-type=\"link\" data-id=\"https:\/\/www.vrin.fr\/actualite\/entretien-avec-emmanuel-alloa-141\"><strong>Cliquez ici<\/strong><\/a><a href=\"https:\/\/www.vrin.fr\/livre\/9782711632213\/la-resistance-du-sensible\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"650\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/08\/9782711632213-1-650x1024.jpg\" alt=\"\" class=\"wp-image-1077\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/08\/9782711632213-1-650x1024.jpg 650w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/08\/9782711632213-1-191x300.jpg 191w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2025\/08\/9782711632213-1.jpg 762w\" sizes=\"(max-width: 650px) 100vw, 650px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u00c0 propos de :&nbsp;Emmanuel Alloa,&nbsp;La r\u00e9sistance du sensible. Merleau-Ponty, critique de la transparence, Vrin, \u00ab Biblioth\u00e8que d&#8217;Histoire de la Philosophie \u2013 Poche \u00bb, mai 2025 Cliquez ici<\/p>\n","protected":false},"author":6,"featured_media":1076,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/1075"}],"collection":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/comments?post=1075"}],"version-history":[{"count":2,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/1075\/revisions"}],"predecessor-version":[{"id":1079,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/1075\/revisions\/1079"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media\/1076"}],"wp:attachment":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media?parent=1075"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/categories?post=1075"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/tags?post=1075"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}