{"id":1121,"date":"2026-06-03T17:14:29","date_gmt":"2026-06-03T15:14:29","guid":{"rendered":"https:\/\/projects.unifr.ch\/aesthetics-critique\/?p=1121"},"modified":"2026-06-03T17:14:31","modified_gmt":"2026-06-03T15:14:31","slug":"conference-aesthetics-critique-ix-styles-of-appearing-aesthetics-and-phenomenology","status":"publish","type":"post","link":"https:\/\/projects.unifr.ch\/aesthetics-critique\/2026\/06\/03\/conference-aesthetics-critique-ix-styles-of-appearing-aesthetics-and-phenomenology\/","title":{"rendered":"[Conference] Aesthetics & Critique IX – Styles of Appearing – Aesthetics and Phenomenology"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

11-12.06.2026<\/p>\n\n\n\n

Universit\u00e9 de Fribourg<\/p>\n\n\n\n

Campus MIS<\/p>\n\n\n\n

Room 11 – 2.102<\/p>\n\n\n\n

<\/p>\n\n\n\n

11 JUNE 2026<\/strong><\/p>\n\n\n\n

9.00<\/p>\n\n\n\n

Emmanuel Alloa (Fribourg)<\/strong><\/p>\n\n\n\n

Masoud Olia (Fribourg)<\/strong><\/p>\n\n\n\n

Introduction<\/p>\n\n\n\n

10.00<\/p>\n\n\n\n

Charles Bobant (Paris)<\/strong><\/p>\n\n\n\n

Exp\u00e9rience esth\u00e9tique, exp\u00e9rience esth\u00e9sique<\/p>\n\n\n\n

11.00<\/p>\n\n\n\n

Coffee break<\/p>\n\n\n\n

11.30<\/p>\n\n\n\n

Adnen Jdey (Louvain)<\/strong><\/p>\n\n\n\n

Des styles d’appara\u00eetre aux styles d’\u00eatre.<\/p>\n\n\n\n

Une contre-histoire de l’esth\u00e9tique ph\u00e9nom\u00e9nologique ?<\/p>\n\n\n\n

12.30<\/p>\n\n\n\n

Lunch break<\/p>\n\n\n\n

14.30<\/p>\n\n\n\n

Maud Hagelstein (Li\u00e8ge)<\/strong><\/p>\n\n\n\n

Surprise de l’\u00e9v\u00e9nement artistique.<\/p>\n\n\n\n

D\u00e9route des conduites perceptives et rupture des routines (Jocelyn Benoist, Roland Breeur, Salome Voegelin)<\/p>\n\n\n\n

15.30<\/p>\n\n\n\n

Harri M\u00e4cklin (Helsinki)<\/strong><\/p>\n\n\n\n

Mikel Dufrenne on phenomenality<\/p>\n\n\n\n

16.30<\/p>\n\n\n\n

Coffee break<\/p>\n\n\n\n

17.00<\/p>\n\n\n\n

Alessandra Scotti (Naples)<\/strong><\/p>\n\n\n\n

\u00c9thique du visible<\/p>\n\n\n\n

18.30<\/p>\n\n\n\n

Guided visit of FriArt<\/p>\n\n\n\n

<\/p>\n\n\n\n

12 JUNE 2026<\/strong><\/p>\n\n\n\n

9.00<\/p>\n\n\n\n

Iulian Apostolescu (Bucharest)<\/strong><\/p>\n\n\n\n

From Hofmannsthal to the Hyperreal.<\/p>\n\n\n\n

Husserl, Fink, and the Aesthetics of Technological Appearing<\/p>\n\n\n\n

10.00<\/p>\n\n\n\n

Melanie Reichert (Kiel)<\/strong><\/p>\n\n\n\n

\u201c(…) almost beyond.\u201d<\/p>\n\n\n\n

Reflections on the Relationship Between Style, Aesthetics, and Phenomenology in Roland Barthes<\/p>\n\n\n\n

11.00<\/p>\n\n\n\n

Margherita Fontana (Milan)<\/strong><\/p>\n\n\n\n

Being and Circumstance<\/p>\n\n\n\n

Robert Irwin\u2019s Phenomenology of Perception<\/p>\n\n\n\n

12.00<\/p>\n\n\n\n

Mauro Carbone (Lyon)<\/strong><\/p>\n\n\n\n

Comment peut-on voir des \u00ab id\u00e9es voil\u00e9es de t\u00e9n\u00e8bres \u00bb ?<\/p>\n\n\n\n

La litt\u00e9rature de Proust et la philosophie en tant que dispositifs de vision selon Merleau-Ponty<\/p>\n","protected":false},"excerpt":{"rendered":"

11-12.06.2026 Universit\u00e9 de Fribourg Campus MIS Room 11 – 2.102 11 JUNE 2026 9.00 Emmanuel Alloa (Fribourg) Masoud Olia (Fribourg) Introduction 10.00 Charles Bobant (Paris) Exp\u00e9rience esth\u00e9tique, exp\u00e9rience esth\u00e9sique 11.00 Coffee break 11.30 Adnen Jdey (Louvain) Des styles d’appara\u00eetre aux styles d’\u00eatre. Une contre-histoire de l’esth\u00e9tique ph\u00e9nom\u00e9nologique ? 12.30 Lunch break 14.30 Maud Hagelstein (Li\u00e8ge) … Read more[Conference] Aesthetics & Critique IX – Styles of Appearing – Aesthetics and Phenomenology<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/1121"}],"collection":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/comments?post=1121"}],"version-history":[{"count":1,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/1121\/revisions"}],"predecessor-version":[{"id":1123,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/1121\/revisions\/1123"}],"wp:attachment":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media?parent=1121"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/categories?post=1121"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/tags?post=1121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}