{"id":1125,"date":"2026-10-30T20:53:38","date_gmt":"2026-10-30T19:53:38","guid":{"rendered":"https:\/\/projects.unifr.ch\/aesthetics-critique\/?p=1125"},"modified":"2026-10-30T20:53:40","modified_gmt":"2026-10-30T19:53:40","slug":"talk-sophia-prinz-wahrnehmungsordnungen-form-praxis-und-asthetik","status":"publish","type":"post","link":"https:\/\/projects.unifr.ch\/aesthetics-critique\/2026\/10\/30\/talk-sophia-prinz-wahrnehmungsordnungen-form-praxis-und-asthetik\/","title":{"rendered":"[Talk] Sophia Prinz, Wahrnehmungsordnungen. Form, Praxis und \u00c4sthetik"},"content":{"rendered":"\n<p>22.10.2026 &#8211; 15:15 &#8211; 17:00<\/p>\n\n\n\n<p>MIS02 &#8211; Raum 2122<\/p>\n\n\n\n<p>Sophia Prinz<\/p>\n\n\n\n<p>ZHdK, Z\u00fcrich<\/p>\n\n\n\n<p>Wahrnehmungsordnungen. Form, Praxis und \u00c4sthetik<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>22.10.2026 &#8211; 15:15 &#8211; 17:00 MIS02 &#8211; Raum 2122 Sophia Prinz ZHdK, Z\u00fcrich Wahrnehmungsordnungen. Form, Praxis und \u00c4sthetik<\/p>\n","protected":false},"author":6,"featured_media":1126,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1125","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorised"],"_links":{"self":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/1125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/comments?post=1125"}],"version-history":[{"count":1,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/1125\/revisions"}],"predecessor-version":[{"id":1127,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/1125\/revisions\/1127"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media\/1126"}],"wp:attachment":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media?parent=1125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/categories?post=1125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/tags?post=1125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}