{"id":138,"date":"2021-02-18T16:29:22","date_gmt":"2021-02-18T15:29:22","guid":{"rendered":"https:\/\/projects.unifr.ch\/aesthetics-critique\/?p=138"},"modified":"2021-04-22T12:22:45","modified_gmt":"2021-04-22T10:22:45","slug":"centre-pompidou-festival-hors-pistes-2021-la-lecon-des-images-demmanuel-alloa","status":"publish","type":"post","link":"https:\/\/projects.unifr.ch\/aesthetics-critique\/2021\/02\/18\/centre-pompidou-festival-hors-pistes-2021-la-lecon-des-images-demmanuel-alloa\/","title":{"rendered":"Video: La le\u00e7on des images d&#8217;Emmanuel Alloa. Festival Hors Pistes 2021, Centre Pompidou."},"content":{"rendered":"\n<figure class=\"wp-block-video\"><video controls poster=\"\" src=\"https:\/\/www.centrepompidou.fr\/media\/video\/91\/85\/918598550f0fe29d3e321f525441d071\/normal.mp4\"><\/video><\/figure>\n\n\n\n<p>Emmanuel Alloa avec Samuel Bianchini, Marie-Pier Boucher et Alice Jarry<\/p>\n\n\n\n<p>16e \u00e9dition du Festival Hors Pistes. L&#8217;\u00e9cologie des images<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Emmanuel Alloa avec Samuel Bianchini, Marie-Pier Boucher et Alice Jarry 16e \u00e9dition du Festival Hors Pistes. L&#8217;\u00e9cologie des images<\/p>\n","protected":false},"author":3,"featured_media":301,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,10,32],"tags":[],"_links":{"self":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/138"}],"collection":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/comments?post=138"}],"version-history":[{"count":5,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/138\/revisions"}],"predecessor-version":[{"id":325,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/138\/revisions\/325"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media\/301"}],"wp:attachment":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media?parent=138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/categories?post=138"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/tags?post=138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}