{"id":404,"date":"2020-06-05T17:49:52","date_gmt":"2020-06-05T15:49:52","guid":{"rendered":"https:\/\/projects.unifr.ch\/aesthetics-critique\/?p=404"},"modified":"2021-04-29T12:17:46","modified_gmt":"2021-04-29T10:17:46","slug":"seminar-de-husserl-a-derrida-phenomenologie-et-deconstruction-autumn-20","status":"publish","type":"post","link":"https:\/\/projects.unifr.ch\/aesthetics-critique\/2020\/06\/05\/seminar-de-husserl-a-derrida-phenomenologie-et-deconstruction-autumn-20\/","title":{"rendered":"Seminar: De Husserl \u00e0 Derrida. Ph\u00e9nom\u00e9nologie et d\u00e9construction (Autumn 2020)"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Enseignant: Emmanuel Alloa<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">BA-Seminar, mardi 10h15-12<\/h3>\n\n\n\n<p>Edmund Husserl a inaugur\u00e9, avec sa m\u00e9thode ph\u00e9nom\u00e9nologie, une approche qui a profond\u00e9ment marqu\u00e9 la philosophie du XX<sup>e<\/sup>&nbsp;si\u00e8cle. Consid\u00e9rant que tout discours ne peut envisager son objet que comme \u00ab&nbsp;ph\u00e9nom\u00e8ne&nbsp;\u00bb, autrement dit, comme objet apparaissant, la ph\u00e9nom\u00e9nologie refuse les sp\u00e9culations abstraites et part d\u2019un primat de l\u2019exp\u00e9rience sensible et situ\u00e9e. Cette insistance lui a cependant valu d\u2019\u00eatre soup\u00e7onn\u00e9e de privil\u00e9gier une \u00ab&nbsp;m\u00e9taphysique de la pr\u00e9sence&nbsp;\u00bb, au d\u00e9triment d\u2019une th\u00e9orie de la signification qui ferait sa place \u00e0 l\u2019absence et au diff\u00e9r\u00e9. Le s\u00e9minaire introduira aux grands principes de la ph\u00e9nom\u00e9nologie husserlienne, et confrontera ceux-aux critiques avanc\u00e9es par Jacques Derrida et sa m\u00e9thode de la d\u00e9construction. On le verra&nbsp;: la d\u00e9construction ne na\u00eet pas&nbsp;<em>contre<\/em>&nbsp;la ph\u00e9nom\u00e9nologie, mais plut\u00f4t de la radicalisation de l\u2019un de ses parti pris.&nbsp;&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Enseignant: Emmanuel Alloa BA-Seminar, mardi 10h15-12 Edmund Husserl a inaugur\u00e9, avec sa m\u00e9thode ph\u00e9nom\u00e9nologie, une approche qui a profond\u00e9ment marqu\u00e9 la philosophie du XXe&nbsp;si\u00e8cle. Consid\u00e9rant que tout discours ne peut envisager son objet que comme \u00ab&nbsp;ph\u00e9nom\u00e8ne&nbsp;\u00bb, autrement dit, comme objet apparaissant, la ph\u00e9nom\u00e9nologie refuse les sp\u00e9culations abstraites et part d\u2019un primat de l\u2019exp\u00e9rience sensible et &#8230; <a title=\"Seminar: De Husserl \u00e0 Derrida. Ph\u00e9nom\u00e9nologie et d\u00e9construction (Autumn 2020)\" class=\"read-more\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2020\/06\/05\/seminar-de-husserl-a-derrida-phenomenologie-et-deconstruction-autumn-20\/\">Read more<span class=\"screen-reader-text\">Seminar: De Husserl \u00e0 Derrida. Ph\u00e9nom\u00e9nologie et d\u00e9construction (Autumn 2020)<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":405,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"_links":{"self":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/404"}],"collection":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/comments?post=404"}],"version-history":[{"count":2,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/404\/revisions"}],"predecessor-version":[{"id":411,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/404\/revisions\/411"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media\/405"}],"wp:attachment":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media?parent=404"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/categories?post=404"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/tags?post=404"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}