{"id":63,"date":"2020-02-18T14:05:28","date_gmt":"2020-02-18T13:05:28","guid":{"rendered":"https:\/\/projects.unifr.ch\/aesthetics-critique\/?p=63"},"modified":"2021-05-21T12:22:28","modified_gmt":"2021-05-21T10:22:28","slug":"aestheticscritique-iii-2021","status":"publish","type":"post","link":"https:\/\/projects.unifr.ch\/aesthetics-critique\/2020\/02\/18\/aestheticscritique-iii-2021\/","title":{"rendered":"Workshop Aesthetics &#038; Critique II (27th-28th November, 2020)"},"content":{"rendered":"\n<p> <\/p>\n\n\n\n<p><strong>Vendredi, 27 novembre 2020<\/strong><\/p>\n\n\n\n<p>9h30 Introduction&nbsp;: Emmanuel Alloa<\/p>\n\n\n\n<p>9h45-11h<\/p>\n\n\n\n<p>Dominique Laleg (Istituto Svizzero Roma\/Fribourg) : <em>Dekolonisierung der \u00c4sthetik<\/em><\/p>\n\n\n\n<p>Respondenz: Damir Skenderovic (Fribourg)<\/p>\n\n\n\n<p>11h15-12h30<\/p>\n\n\n\n<p>Barbara Carnevali (EHESS Paris)&nbsp;: <em>Qu\u2019est-ce que l\u2019esth\u00e9tique sociale?<\/em><\/p>\n\n\n\n<p>R\u00e9pondant&nbsp;: Fran\u00e7ois Gauthier (Fribourg)<\/p>\n\n\n\n<p>14h-15h15<\/p>\n\n\n\n<p>Arno Renken (HK Bern)&nbsp;: <em>Inqui\u00e9tudes dans l\u2019esth\u00e9tique. Politiques de la traduction<\/em><\/p>\n\n\n\n<p>R\u00e9pondante : Lucie (Kim-Chi) Mercier (Kingston\/Paris 8)<\/p>\n\n\n\n<p>15h30-17h30<\/p>\n\n\n\n<p><strong>Panel: Powers of Imagination<\/strong><\/p>\n\n\n\n<p>Rahel Villinger (Basel) : <em>Animal Imagination. <\/em><em>Kant\u2019s Actuality<\/em><\/p>\n\n\n\n<p>Kristupas Sabolius (Vilnius) : <em>On Radical Imagination<\/em><\/p>\n\n\n\n<p>Anna Caterina Dalmasso (Milano) : <em>Augmented Imagination<\/em><\/p>\n\n\n\n<p>Adam Jasper (ETH Z\u00fcrich): <em>The Architectural Imagination<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"728\" height=\"1024\" src=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Aesthetics-Critique_program_final-728x1024.jpg\" alt=\"\" class=\"wp-image-458\" srcset=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Aesthetics-Critique_program_final-728x1024.jpg 728w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Aesthetics-Critique_program_final-213x300.jpg 213w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Aesthetics-Critique_program_final-768x1080.jpg 768w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Aesthetics-Critique_program_final-1092x1536.jpg 1092w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Aesthetics-Critique_program_final-1457x2048.jpg 1457w, https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-content\/uploads\/2021\/02\/Aesthetics-Critique_program_final-scaled.jpg 1821w\" sizes=\"(max-width: 728px) 100vw, 728px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Vendredi, 27 novembre 2020 9h30 Introduction&nbsp;: Emmanuel Alloa 9h45-11h Dominique Laleg (Istituto Svizzero Roma\/Fribourg) : Dekolonisierung der \u00c4sthetik Respondenz: Damir Skenderovic (Fribourg) 11h15-12h30 Barbara Carnevali (EHESS Paris)&nbsp;: Qu\u2019est-ce que l\u2019esth\u00e9tique sociale? R\u00e9pondant&nbsp;: Fran\u00e7ois Gauthier (Fribourg) 14h-15h15 Arno Renken (HK Bern)&nbsp;: Inqui\u00e9tudes dans l\u2019esth\u00e9tique. Politiques de la traduction R\u00e9pondante : Lucie (Kim-Chi) Mercier (Kingston\/Paris 8) 15h30-17h30 &#8230; <a title=\"Workshop Aesthetics &#038; Critique II (27th-28th November, 2020)\" class=\"read-more\" href=\"https:\/\/projects.unifr.ch\/aesthetics-critique\/2020\/02\/18\/aestheticscritique-iii-2021\/\">Read more<span class=\"screen-reader-text\">Workshop Aesthetics &#038; Critique II (27th-28th November, 2020)<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":515,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[4],"_links":{"self":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/63"}],"collection":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/comments?post=63"}],"version-history":[{"count":6,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/63\/revisions"}],"predecessor-version":[{"id":601,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/63\/revisions\/601"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media\/515"}],"wp:attachment":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media?parent=63"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/categories?post=63"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/tags?post=63"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}