{"id":817,"date":"2022-03-05T20:21:56","date_gmt":"2022-03-05T19:21:56","guid":{"rendered":"https:\/\/projects.unifr.ch\/aesthetics-critique\/?p=817"},"modified":"2022-05-02T17:37:32","modified_gmt":"2022-05-02T15:37:32","slug":"event-performance-simon-senn-head-geneve-be-arielle-ou-prendre-le-corps-dune-autre","status":"publish","type":"post","link":"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/03\/05\/event-performance-simon-senn-head-geneve-be-arielle-ou-prendre-le-corps-dune-autre\/","title":{"rendered":"Talk-performance: Simon Senn (HEAD, G\u00e9neve). Be Arielle ou Prendre le corps d&#8217;un(e) autre."},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Mardi 24 mai 2022, 10.15 &#8211; 12.00. <\/h3>\n\n\n\n<p>Talk d&#8217;artiste dans le contexte du s\u00e9minaire \u00ab <strong>Que peut un corps ? Philosophie de la corpor\u00e9it\u00e9<\/strong> \u00bb (Prof. Emmanuel Alloa &amp; Dr. Alessandro De Cesaris). <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mardi 24 mai 2022, 10.15 &#8211; 12.00. Talk d&#8217;artiste dans le contexte du s\u00e9minaire \u00ab Que peut un corps ? Philosophie de la corpor\u00e9it\u00e9 \u00bb (Prof. Emmanuel Alloa &amp; Dr. Alessandro De Cesaris).<\/p>\n","protected":false},"author":6,"featured_media":881,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,10,1],"tags":[],"_links":{"self":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/817"}],"collection":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/comments?post=817"}],"version-history":[{"count":2,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/817\/revisions"}],"predecessor-version":[{"id":820,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/817\/revisions\/820"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media\/881"}],"wp:attachment":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media?parent=817"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/categories?post=817"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/tags?post=817"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}