{"id":884,"date":"2022-08-04T18:53:56","date_gmt":"2022-08-04T16:53:56","guid":{"rendered":"https:\/\/projects.unifr.ch\/aesthetics-critique\/?p=884"},"modified":"2022-08-04T19:05:26","modified_gmt":"2022-08-04T17:05:26","slug":"video-emmanuel-alloa-sharing-perspectives-points-of-view-in-art-and-philosophy-european-society-for-aesthetics-conference-2022","status":"publish","type":"post","link":"https:\/\/projects.unifr.ch\/aesthetics-critique\/2022\/08\/04\/video-emmanuel-alloa-sharing-perspectives-points-of-view-in-art-and-philosophy-european-society-for-aesthetics-conference-2022\/","title":{"rendered":"Video: Emmanuel Alloa, Sharing Perspectives. Points of View in Art and Philosophy (European Society for Aesthetics Conference 2022)"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=hoiC8oyF1lM\"><strong>https:\/\/www.youtube.com\/watch?v=hoiC8oyF1lM<\/strong><\/a><\/p>\n\n\n\n<p><strong>European Society for Aesthetics Conference 2022 &#8211; Plenary Session &#8211; Emmanuel Alloa &#8211; <em>Sharing Perspectives. Points of View in Art and Philosophy<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/www.youtube.com\/watch?v=hoiC8oyF1lM European Society for Aesthetics Conference 2022 &#8211; Plenary Session &#8211; Emmanuel Alloa &#8211; Sharing Perspectives. Points of View in Art and Philosophy<\/p>\n","protected":false},"author":6,"featured_media":896,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/884"}],"collection":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/comments?post=884"}],"version-history":[{"count":8,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/884\/revisions"}],"predecessor-version":[{"id":897,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/884\/revisions\/897"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media\/896"}],"wp:attachment":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media?parent=884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/categories?post=884"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/tags?post=884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}