{"id":937,"date":"2023-04-27T16:31:03","date_gmt":"2023-04-27T14:31:03","guid":{"rendered":"https:\/\/projects.unifr.ch\/aesthetics-critique\/?p=937"},"modified":"2023-05-01T16:55:37","modified_gmt":"2023-05-01T14:55:37","slug":"aesthetics-critique-vi-realism-in-perspective-realisme-en-perspective-perspektiven-des-realismus-fribourg-26-27-05-2023","status":"publish","type":"post","link":"https:\/\/projects.unifr.ch\/aesthetics-critique\/2023\/04\/27\/aesthetics-critique-vi-realism-in-perspective-realisme-en-perspective-perspektiven-des-realismus-fribourg-26-27-05-2023\/","title":{"rendered":"Aesthetics & Critique VI : Realism in Perspective \/ R\u00e9alisme en perspective \/ Perspektiven des Realismus (Fribourg, 26-27.05.2023)"},"content":{"rendered":"\n

Back to Reality<\/em><\/strong>! Whether in art or philosophy, recent years have witnessed an outright run on the real, under banners such as speculative realism, neo-materialism, documentality, eco-realism, speculative poetics, or object-oriented aesthetics. Only progressively it starts to become clear that what these approaches respectively mean by realism differs sharply. The workshop shall confront various epistemic and artistic strategies seeking to grasp the ever-evading nature of reality, and work towards understanding the reasons behind this renewed desire for touching the \u201cthing itself\u201d. If the only claim these different realisms seem to agree upon is the need to decentre the human perspective, could it be that perspectivalness itself provides a key to a novel understanding of reality?<\/strong><\/p>\n\n\n\n

Revenons \u00e0 la r\u00e9alit\u00e9<\/em> !<\/em> Que ce soit en art ou en philosophie, ces derni\u00e8res ann\u00e9es ont \u00e9t\u00e9 marqu\u00e9es par une v\u00e9ritable ru\u00e9e vers le r\u00e9el, sous des banni\u00e8res telles que le r\u00e9alisme sp\u00e9culatif, le n\u00e9o-mat\u00e9rialisme, la documentalit\u00e9, l’\u00e9co-r\u00e9alisme, la po\u00e9tique sp\u00e9culative ou l\u2019esth\u00e9tique orient\u00e9e objet. On commence tout juste \u00e0 entrevoir les ab\u00eemes qui s\u00e9parent ces positions. Le workshop comparera diverses strat\u00e9gies \u00e9pist\u00e9miques et artistiques visant \u00e0 saisir la nature \u00e9vasive du r\u00e9el, et s’efforcera de comprendre les raisons animant ce d\u00e9sir de toucher \u00e0 la \u00ab chose en soi \u00bb. Si le seul point sur lequel ces diff\u00e9rents r\u00e9alismes semblent s’accorder est la n\u00e9cessit\u00e9 de d\u00e9centrer la perspective humaine, ne serait-ce pas la perspectivit\u00e9 elle-m\u00eame qui pourrait fournir une nouvelle mani\u00e8re d\u2019appr\u00e9hender la r\u00e9alit\u00e9 ?<\/strong><\/p>\n\n\n\n

Back to the Real<\/em>! Ob in der Kunst oder in der Philosophie, in den letzten Jahren hat es einen regelrechten Run auf das Reale gegeben, unter Begriffen wie spekulativer Realismus, Neomaterialismus, Dokumentalit\u00e4t, \u00d6korealismus, spekulative Poetik oder objektorientierte \u00c4sthetik. Erst allm\u00e4hlich wird deutlich, dass das, was diese Ans\u00e4tze jeweils unter Realismus verstehen, mitunter weit auseinander liegt. Der Workshop setzt sich mit verschiedenen epistemischen und k\u00fcnstlerischen Strategien auseinander, um das sich stets zu entziehen drohende Reale zu erfassen, und fragt nach den Gr\u00fcnden f\u00fcr dieses neu entflammte Begehren nach der \u201eSache selbst\u201c. Wenn es sich erweisen sollte, dass sich diese Spielarten von Realismus einzig und allein darin einig sind, dass die menschliche Perspektive zu dezentrieren gilt, l\u00e4ge dann m\u00f6glicherweise in der Perspektivit\u00e4t der Schl\u00fcssel zu einem neuen Verst\u00e4ndnis von Wirklichkeit?<\/strong><\/p>\n\n\n\n

Conference Programme (Download<\/a>)<\/strong><\/h1>\n\n\n\n

FRIDAY 26 MAY<\/strong><\/h2>\n\n\n\n

13:45\u201317:00 Panel I – Perspectivisme: Philosophie, anthropologie, litt\u00e9rature, cin\u00e9ma<\/strong><\/p>\n\n\n\n

Camille Chamois (Bruxelles)<\/strong><\/p>\n\n\n\n

Apprendre \u00e0 voir : perspectivismes et apprentissage perceptif<\/strong><\/em><\/p>\n\n\n\n

Chair: Emmanuel Alloa<\/p>\n\n\n\n

Camille de Toledo (Berlin)<\/strong><\/p>\n\n\n\n

Ce que je nomme habitats narratifs et ses cons\u00e9quences sur la perspective\u2026<\/em><\/strong><\/p>\n\n\n\n

Chair: Sophie Jaussi<\/p>\n\n\n\n

Emmanuel Grimaud (Paris)<\/strong><\/p>\n\n\n\n

La perspective de l\u2019insensible. Comment (nous) r\u00eavent les IA.<\/em><\/strong><\/p>\n\n\n\n

Chair: Alessandro De Cesaris<\/p>\n\n\n\n

17:30\u201319:30<\/p>\n\n\n\n

Location: CinEmotion Rex, Fribourg<\/p>\n\n\n\n

Projection<\/strong><\/p>\n\n\n\n

De Humani Corporis Fabrica<\/em><\/strong><\/p>\n\n\n\n

115\u2018. USA, 2022.<\/p>\n\n\n\n

Dir: Lucien Castaing-Taylor & V\u00e9r\u00e9na Paravel (Harvard Sensory Ethnography Lab)<\/strong><\/p>\n\n\n\n

19:30\u201320:15<\/p>\n\n\n\n

Table Ronde\/Q&A<\/p>\n\n\n\n

Lucien Castaing-Taylor, V\u00e9r\u00e9na Paravel<\/strong><\/p>\n\n\n\n

avec\/mit\/with Fred Truniger & Emmanuel Alloa<\/p>\n\n\n\n

SATURDAY 27 MAY<\/strong><\/h2>\n\n\n\n

10:00\u201313:15 Panel II – Art\u2019s Realism<\/strong><\/p>\n\n\n\n

Ursula Biemann (Zurich)<\/strong><\/p>\n\n\n\n

Forest Thinking<\/em><\/strong><\/p>\n\n\n\n

Chair: Julia Gelshorn<\/p>\n\n\n\n

Susan Schuppli (London)<\/strong><\/p>\n\n\n\n

Sensing Ice<\/em><\/strong><\/p>\n\n\n\n

Chair: Wolfgang Br\u00fcckle<\/p>\n\n\n\n

Sebastian Egenhofer (Wien)<\/strong><\/p>\n\n\n\n

Entropy and Infrastructure in Contemporary Art<\/em><\/strong><\/p>\n\n\n\n

Chair: Tobias Ertl<\/p>\n\n\n\n

13:30 fin\/Abschluss\/End<\/p>\n","protected":false},"excerpt":{"rendered":"

Back to Reality! Whether in art or philosophy, recent years have witnessed an outright run on the real, under banners such as speculative realism, neo-materialism, documentality, eco-realism, speculative poetics, or object-oriented aesthetics. Only progressively it starts to become clear that what these approaches respectively mean by realism differs sharply. The workshop shall confront various epistemic … Read moreAesthetics & Critique VI : Realism in Perspective \/ R\u00e9alisme en perspective \/ Perspektiven des Realismus (Fribourg, 26-27.05.2023)<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":945,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,5,9,11],"tags":[],"_links":{"self":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/937"}],"collection":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/comments?post=937"}],"version-history":[{"count":1,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/937\/revisions"}],"predecessor-version":[{"id":939,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/posts\/937\/revisions\/939"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media\/945"}],"wp:attachment":[{"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/media?parent=937"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/categories?post=937"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/projects.unifr.ch\/aesthetics-critique\/wp-json\/wp\/v2\/tags?post=937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}